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  Metal Land » Oldies » John Mayall & Bluesbreakers

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John Mayall & Bluesbreakers


Информация о группе

John Mayall was born 29th of November 1933 in Macclesfield, an English town near the industrial hub of Manchester--a far cry at that time from the black American blues culture we are familiar with today. The eldest of three from humble working class origins, and in the shadow of WWII, this skinny English lad grew up listening to his guitarist father's extensive jazz record collection and felt drawn to the blues. Strongly influenced by such greats as Leadbelly, Albert Ammons, Pinetop Smith, and Eddie Lang, from the age of 13 he taught himself to play and develop his own style with the aid of a neighbor's piano, borrowed guitars, and secondhand harmonicas.

John Mayall's first brush with fame, however, was not for his music. As a teenager, he decided to move out of the house, and, showing the signature eccentricities and artistic qualities that have added to his legendary status, he moved into his backyard treehouse. This gained him notoriety enough to receive newspaper attention. Even more so, since, upon returning from a stint in Korea, he brought his first wife Pamela to live with him there.

From an art college training, to three years with the British Army in Korea, to a successful career in graphic design, his blues singing and playing took a back seat until he reached the age of 30. From 1956 until 1962, John was performing publicly on a part-time basis fronting The Powerhouse Four and, later on, The Blues Syndicate. It was then that Alexis Korner's Blues Incorporated pioneered what was to become known as The British Blues Boom of the Late 60's. Alexis was quick to encourage and help John make his move to London where he soon secured enough club work to be able to turn professional under the name John Mayall's Bluesbreakers. After a couple of years and a constant turnover of musicians, he met his soulmate in Eric Clapton, who had quit the Yardbirds in favor of playing the blues. This historic union culminated in the first hit album for the Bluesbreakers and resulted in worldwide legendary status.

After Clapton and Jack Bruce left the band to form Cream, a succession of great musicians defined their artistic roots under John's leadership, and he became as well known for discovering new talent as for his hard-hitting interpretations of the fierce Chicago-style blues he'd grown up listening to. As sidemen left to form their own groups, others took their places. Peter Green, John McVie and Mick Fleetwood became Fleetwood Mac. Andy Fraser formed Free, and Mick Taylor joined the Rolling Stones. As Eric Clapton has stated, "John Mayall has actually run an incredibly great school for musicians."

In 1969, with his popularity blossoming in the USA, John caused somewhat of a stir with the release of a drummer less acoustic live album entitled "The Turning Point", from which his song "Room To Move" was destined to become a rock classic. He received a gold record for this album. Attracted by the West Coast climate and culture, John then made his permanent move from England to Laurel Canyon in Los Angeles and began forming bands with American musicians. Throughout the 70's, John became further revered for his many jazz/rock/blues innovations featuring such notable performers as Blue Mitchell, Red Holloway, Larry Taylor, and Harvey Mandel. He also backed blues greats John Lee Hooker, T-Bone Walker, and Sonny Boy Williamson on their first English club tours.

The year 1979 proved to be a pivotal, transitional, and climactic year for John Mayall, both personally and professionally. With the public climate being at an all-time low for blues music, Mayall struggled to keep his live and recording career afloat. Personally, however, he began the 20+year relationship with his current wife Maggie (Parker, née Mulacek), a singer/songwriter from Chicago who had been hired with Harvey Mandel's band as Mayall's backup. And extreme misfortune came his way when a brush fire destroyed his hand-crafted and legendary Laurel Canyon home, taking with it his scrupulously-kept diaries, his father's diaries, master recordings, extensive book & magazine collections, Mayall artwork, and much much more. Determined to rise from the ashes, Mayall persevered.

Motivated by nostalgia and fond memories, in 1982, John (together with Mick Taylor and John McVie) decided to re-form the original Bluesbreakers for a couple of tours and a video concert film entitled Blues Alive, which featured Albert King, Buddy Guy, Junior Wells, Etta James, and Sippie Wallace and others. A whole new generation of followers could get a taste of how it all sounded live two decades before at the birth of the British Blues explosion. By the time Mick and John had returned to their respective careers, public reaction had convinced Mayall that he should return to his driving blues roots. As John McVie returned to Fleetwood Mac and Mick resumed his solo career, Mayall returned to Los Angeles to select his choices for a new incarnation of the Bluesbreakers. Officially launched in 1984, it included future stars in their own right, guitarists Coco Montoya and Walter Trout, as well as drummer Joe Yuele, who is still John's rhythmic mainstay.

With onstage popularity gaining each year, the 90's kicked in with the release of several John Mayall albums that have set new standards in rock blues: "Behind The Iron Curtain", "Chicago Line", "A Sense of Place", and the Grammy-nominated "Wake Up Call" that featured guest artists Buddy Guy, Mavis Staples, Albert Collins, Mick Taylor. In 1993, Texas guitarist Buddy Whittington joined the Bluesbreakers and over the years he has energized the band with his unique and fiery ideas. Making his recording debut on Mayall's "Spinning Coin" album, he proved to be more than equal to following in the footsteps of his illustrious predecessors. After that, they released two modern classics: "Blues For the Lost Days" and "Padlock On The Blues", (the latter co-produced by John and his wife Maggie, featuring a rare collaboration with the great blues legend John Lee Hooker, who had been Mayall's close friend since the early 60's). These albums have all garnered great reviews, critical and popular acclaim and represent Mayall's ongoing mastery of the blues and his continuing importance in contemporary music. In addition, Mayall released three CD's through his own private label, Private Stash Records. They are "Time Capsule" (containing historic 1957-62 live tapes-no longer available), "UK Tour 2K" (live recordings from the Bluesbreakers 2000 British tour), and a selection of solo performances from John entitled "Boogie Woogie Man". Mayall continues to strive to remain true to the timeless music that first inspired this skinny young British lad, living in the shadow of WWII, to teach himself the guitar, harmonica and piano so many years ago.

This millennium has proved to be as productive so far:
2001: On "Along For The Ride", Mayall re-teamed with a number of his former mates, including Peter Green, Mick Taylor, Mick Fleetwood and John McVie, as well as ZZ Top's Billy Gibbons, Jonny Lang, Steve Miller, Billy Preston, Steve Cropper, Otis Rush, Gary Moore, Jeff Healey, Reese Wynans of Steve Ray Vaughan's band and Shannon Curfman for an amazing display of blues power at its finest. Produced by David Z, this album featured Mayall duets with soul great Billy Preston, blues legend Otis Rush and young blues/rock teen sensation Shannon Curfman. "Along For The Ride" also features the first appearance together in over 30 years by Bluesbreakers alumni Peter Green, Mick Fleetwood and John McVie, who last appeared together as members of the original Fleetwood Mac.

In 2002: Mayall with the Bluesbreakers, again produced by David Z., recorded the release "STORIES," which debuted the Billboard blues charts at #1, and followed it with an extensive world tour. 2003: John Mayall turned 70 years old. After extensive touring, John Mayall and The Bluesbreakers capped it off at a 70th Birthday celebration in Liverpool, with a concert in aid of UNICEF and featuring Eric Clapton, Mick Taylor and Chris Barber. This concert was filmed, recorded and released as a DVD and double CD in December 2003. To top off the year, BBC aired an hour-long documentary on John Mayall's life and career, entitled "The Godfather of British Blues".

2003: "The Godfather of British Blues" plus a 1969 documentary were released on a DVD by Eagle Records entitled “Godfather/The Turning Point”, as well as "The Turning Point Sound Track" CD.

2004: Private Stash released a live show from Australia on DVD – “Cookin’ Down Under’ and John compiled a collection of his all time favorite classic boogie woogie tracks on a CD for Document Records.

2005: Saw the release of the studio album “Road Dogs.”
John Mayall was awarded an OBE by The Queen's Honours list.

Spring 2007 brought John Mayall's 56th album release, on Eagle Records: "In The Palace Of The King," an entire studio album that honors and pays tribute to the music of the Mayall’s long-time hero of the blues, Freddie King.

The release of this popular tribute album led to such a heavy touring schedule that it began to take its toll on John physically. He therefore reluctantly decided to take time off to re-evaluate his career. In October 2008 he made the decision to disband and retire the long standing Bluesbreakers, which caused quite a stir in blues circles and led to rumors about total retirement. Since then Mayall has made some guest appearances with Mark Hummel's Harmonica Blowout and so enjoyed the freedom that he decided to put together some new musicians with a view to touring on a more limited basis. The reaction to this plan has been so positive that two tours of Europe have been put together for 2009, including several shows with BB King in the UK. Eagle Records have also commissioned John to record a new album, which is slated for release in fall 2009. Meanwhile we hope that fans will enjoy the rocking blues contributions of Rocky Athas, Greg Rzab, Jay Davenport and Tom Canning.

As for the man himself, the father of six and the grandfather of six, John Mayall, at 75, hopes to keep the blues alive for many more years to come.

Участники

На текущий момент, кроме John-a :

ROCKY ATHAS
Guitar
GREG RZAB
Bass
JAY DAVENPORT
Drums
TOM CANNING
Keyboards

Дискография
1965 John Mayall Plays John Mayall (Decca*)
1966 Blues Breakers with Eric Clapton (Decca*)
1967 A Hard Road (Decca*)
1967 Bluesbreakers with Paul Butterfield (Decca EP single)
1967 Crusade (Decca*)
1967 Blues Alone (Ace of Clubs*)
1968 Diary of a Band Volume 1 (Decca*)
1968 Diary of a Band Volume 2 (Decca*)
1968 Bare Wires (Decca*)
1968 Blues from Laurel Canyon (Decca*)
1969 Looking Back (Decca*)
1969 Thru The Years (London)
1969 Primal Solos (Decca)
1969 The Turning Point (Polydor*)
1970 Empty Rooms (Polydor*)
1970 USA Union (Polydor*)
1971 Back to the Roots (Polydor*)
1971 Memories (Polydor*)
1972 Jazz Blues Fusion (Polydor*)
1973 Moving On (Polydor)
1973 Ten Years Are Gone (Polydor)
1974 The Latest Edition (Polydor)
1975 New Year,New Band,New Company (ABC - One Way*)
1975 Notice to Appear (ABC - One Way*)
1976 Banquet in Blues (ABC - One Way*)
1977 Lots of People (ABC - One Way*)
1977 A Hard Core Package (ABC - One Way*)
1978 Last of the British Blues (ABC - One Way*)
1979 The Bottom Line (DJM)
1980 No More Interviews (DJM)
1982 Road Show Blues (DJM*)
1982 Return of the Bluesbreakers (Aim Australia)
1985 Behind the Iron Curtain (GNP Crescendo*)
1987 Chicago Line (Entente - Island*)
1988 The Power of the Blues (Entente*)
1988 Archives to Eighties (Polydor*)
1990 A Sense of Place (Island*)
1992 1982 Reunion Concert (One Way*)
1992 Cross Country Blues (One Way*)
1993 Wake Up Call (Silvertone*)
1995 Spinning Coin (Silvertone*)
1997 Blues for the Lost Days (Silvertone*)
1999 Padlock on the Blues (Eagle*)
1999 Rock the Blues Tonight (Indigo*)
1999 Live at the Marquee 1969 (Eagle*)
2000 Time Capsule (Private Stash) Limited release, website only, no longer in print
2001 UK Tour 2K (Private Stash) Limited release, website only, no longer in print
2001 Boogie Woogie Man (Private Stash*) Limited release, website only
2001 Along For The Ride (Eagle/Red Ink*)
2002 STORIES (Eagle/Red Ink*)
2003 No Days Off (Private Stash*) Limited release, website only
2003 Rolling With The Blues (Shakedown UK*)
2003 70th Birthday Concert CD & DVD (Eagle*)
2004 Cookin' Down Under DVD (Private Stash*) Limited release, website only
2004 The Godfather of British Blues/Turning Point DVD (Eagle*)
2004 The Turning Point Soundtrack (Eagle*)
2005 Road Dogs (Eagle*)
2007 In The Palace Of The King (Eagle*)
2009 Tough (Eagle*)
Страна
Great Britain
Стиль
Real Electric White Blues
Официальный сайт: http://www.johnmayall.com/band.html

Sergo

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Как-то у сабжа ИМХО получается сыграть на нужных струнах в нужное время  и даже больше  -  пожалуй, из европейских блюзменов любимейший

Для ознакомления послушайте вот эти альбомы - как по мне,  очень характерные работы:





а этот пожалуй лучший...из относительно ранних



-----
...Хриплый как у людоеда голос Лемми позволяет отнести Моторхэд к одним из отцов дэт метала...
I know the law I know how to die
...это MOTORHEAD, детка!


3432 | Дата рег-ции 19 Дек., 2003 | Отправлено: 23:14 - 20 Окт., 2009 | Исправлено: Sergo - 21 Окт., 2009 (0:33) 1
Maphusail

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Как уже писал тебе, очень в уважухе сабж у меня.
В коллекции:
1966 Blues Breakers with Eric Clapton
1967 A Hard Road
1968 Blues from Laurel Canyon
1985 Behind the Iron Curtain
1993 Wake Up Call
1995 Spinning Coin
1997 Blues for the Lost Days
1979 The Bottom Line   DVD
1982: Blues Alive VHS (re-released on DVD in 2004 as Jammin' With the Blues Greats), a concert filmed in June 1982 at New Jersey's Capitol Theater with a lineup of Mayall, Mick Taylor, John McVie, and Colin Allen, and guests Etta James, Junior Wells, Buddy Guy, and Albert King    DVD
2003 70th Birthday Concert DVD
Слышал и многие другие альбомы.
Помимо муз. творчества, очень уважаю сабжа, за то, что во второй половине 60-х его группа стала одним из двух инкубаторов по сути всего тогдашнего британского рока и через нее прошло множество интереснейших музыкантов. Сей факт просто невозможно переоценить!


6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 19:52 - 1 Ноября, 2009 2
Sergo

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Последний альбом Джона мне очень понравился

-----
...Хриплый как у людоеда голос Лемми позволяет отнести Моторхэд к одним из отцов дэт метала...
I know the law I know how to die
...это MOTORHEAD, детка!


3432 | Дата рег-ции 19 Дек., 2003 | Отправлено: 0:59 - 3 Ноября, 2009 | Исправлено: Sergo - 3 Ноября, 2009 (1:06) 3
Hartmann

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Майалла страшно уважаю, хотя в творчестве его нравится не все. Не потому, что то или иное не нравится ибо являецо некачественным, а потому что это то или иное просто не совпадает с фибрами.  И это нормально. Такой Заппа белого блюза - много творчества и экспериментов. Большой ему респект и слава Богу, что жив и продолжает делать классную музыку, причем в категории, которая достаточно тяжелая в силу того, что пользована огромным кол-вом самых разных музыкантов хз скока лет. И тем не менее Майалл остаецо Майаллом последний альбом еще не послушал, но судя по отзывам очень ок!

-----
My ghost likes to travel so far in the unknown
My ghost likes to travel so deep into your space


469 | Дата рег-ции 16 Фев., 2009 | Отправлено: 2:03 - 3 Ноября, 2009 4
Hartmann

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Цитата:
Hartmann пишет:
последний альбом еще не послушал, но судя по отзывам очень ок!


Послушал. Лучше конечно, чем имхо абсолютно унылый предыдущий. Но все равно какой то у него откат к периоду середины 80-х. Аранжировки и звук оттуда. Зачем хз. В 90-х Майалл на мой взгляд не родил ни одной слабой пластинки и всегда был интересным. Tough как по мне может показаться прикольным только мегафанам, да и то полагаю они его часто слушать не будут.

-----
My ghost likes to travel so far in the unknown
My ghost likes to travel so deep into your space


469 | Дата рег-ции 16 Фев., 2009 | Отправлено: 0:42 - 29 Ноября, 2009 5
Maphusail

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Blues Breakers with Eric Clapton 1966

Об альбоме: http://en.wikipedia.org/wiki/Blues_Breakers_with_Eric_Clapton

Переслушал днями. Классика она и есть классика. Хоть и первая ласточка британского блюз-рока, а слушается отлично и свежо. Особенно нравится на альбоме сочетание органа, саксофонов и класснючей гитары

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 14:36 - 4 Марта, 2010 6
Maphusail

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A Hard Road 1967

Об альбоме: http://en.wikipedia.org/wiki/A_Hard_Road

Произошла смена гитариста-появился Питер Грин. Тоже прет меня альбом Любимая вещь-инструментал The Supernatural!

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 2:25 - 12 Марта, 2010 7
Maphusail

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Crusade 1967

Об альбоме: http://en.wikipedia.org/wiki/Crusade_(album)

А этот уже с Mick Taylor, да и барабанеры новые, правда, не менее известные. Очень слаженное ансамблевое звучание. Даже выделить что-то ничего не могу.

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 21:02 - 3 Апр., 2010 8
Maphusail

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The Blues Alone 1967

Об альбоме: http://en.wikipedia.org/wiki/The_Blues_Alone

По сути сольный опус мастера, записанный им в одиночку. Только ударные записал Keef Hartley.
Вот как сам выступил: vocals, guitars (6- and 9-string), harmonica, piano, organ, celeste (track 9), drums (tracks 1,5).
Неплохой пространственный блюзец. Фаворит-медляк Broken Wings.

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 17:02 - 12 Июня, 2010 9
Maphusail

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Bare Wires 1968

Об альбоме: http://en.wikipedia.org/wiki/Bare_Wires

Любопытный релиз, имхо скорее коллекционного характера. В основном из-за первой стороны-Bare Wires/Suite-каковая есть мутноватая и смурноватая
На гитаре-Mick Taylor, вся остальная банда-по сути известный коллектив  Colosseum, отсюда и очень неслабый налет джаза в релизе.

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 16:32 - 9 Июля, 2010 10
Maphusail

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Blues from Laurel Canyon 1968

Об альбоме: http://en.wikipedia.org/wiki/Blues_from_Laurel_Canyon

Всегда нравился этот альбом, видимо потому, что он есть в коллекции и я его часто слушал Но вообще-то он хорош и сам по себе.
Из вещей сейчас выделяю Walking On Sunset, Ready To Ride и длинную, мечтательную Fly Tomorrow.

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 18:40 - 11 Июля, 2010 11
Maphusail

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Сходил на концерт сабжа!!!!!!!!!! Суперизм!!!!!

Дедушка в 80 (!!!!) лет нарезает так, как не всякие молодые смогут!!!

Откровенно говоря, просто счастлив, что удалось приобщиться к корням живьем!

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 22:04 - 28 Окт., 2014 12
Sergo

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Цитата:
Maphusail пишет:
Сходил на концерт сабжа!!!!!!!!!! Суперизм!!!!!

Кто бы сомневался...завидую белой завистью

-----
...Хриплый как у людоеда голос Лемми позволяет отнести Моторхэд к одним из отцов дэт метала...
I know the law I know how to die
...это MOTORHEAD, детка!


3432 | Дата рег-ции 19 Дек., 2003 | Отправлено: 22:30 - 28 Окт., 2014 13
Maphusail

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Talk About That - 2017

Об альбоме: http://rateyourmusic.com/release/album/john-mayall/talk-about-that/

Феерия, однако!!! В таком-то возрасте!!!

Joining Mayall (vocals, keyboards, harmonica and guitar) and Greg Rzab (bass), Jay Davenport (drums) and Rocky Athas (guitar) as special guest is legendary guitarist Joe Walsh, who plays on two tracks, "The Devil Must Be Laughing" and "Cards on the Table," both John Mayall compositions.
The album also showcases a three-piece horn section that adds extra punch on several tracks, including the infectious New Orleans-flavored "Gimme Some Of That Gumbo.

Телеги - именно с Joe Walsh - The Devil Must Be Laughing & Cards on the Table !!!
А также - I Didn't Mean to Hurt You и Blue Midnight !!!

Дудки очень по делу, отлично украсили альбом!!!

Добавлено
John Mayall - The Devil Must Be Laughing (Album Talk About That, 2017)
http://www.youtube.com/watch?v=Nvq45t6fIuM

6623 | Дата рег-ции 6 Июня, 2006 | Отправлено: 19:00 - 1 Фев., 2017 | Исправлено: Maphusail - 1 Фев., 2017 (19:41) 14
Sergo

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Цитата:
Maphusail пишет:
Talk About That - 2017

Об альбоме: http://rateyourmusic.com/release/album/john-mayall/talk-about-that/

Феерия, однако!!! В таком-то возрасте!!!


Ознакомился. Согласен на 100%. Вроде бы как и относительно минималистично, но подача цепляет от начала до конца альбома.


Цитата:
Maphusail пишет:
Дудки очень по делу, отлично украсили альбом!!!


Мне всегда у Майалла дудки нравились. Красиво и в меру, за редкими исключениями

-----
...Хриплый как у людоеда голос Лемми позволяет отнести Моторхэд к одним из отцов дэт метала...
I know the law I know how to die
...это MOTORHEAD, детка!


3432 | Дата рег-ции 19 Дек., 2003 | Отправлено: 23:31 - 8 Фев., 2017 15
 

Форум: Oldies, Тема: John Mayall & Bluesbreakers

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